A public unveiling and discussion of a large-scale portrait of Dr. Frankenstein’s creation, described in Mary Shelley’s 1818 novel “Frankenstein," will take place at 7 pm at Emory on Tuesday, September 19. The event will be held at the Schwartz Center for the Performing Arts and is open to all free of charge, but guests must register in advance at http://ift.tt/2x5Vs3i or call Erin Mosley at 404-727-5048.
The portrait is by renowned artist Ross Rossin, who is on the Emory campus as the 2017-2018 Donna and Marvin Schwartz Artist-in-Residence. Rossin, whose art hangs in the Smithsonian National Portrait Gallery and was exhibited at the United Nations Palace of Nations in Geneva and the Russian Duma in Moscow, is also known to Atlantans as the sculptor/creator of the nine-foot-tall bronze statue of Hank Aaron unveiled earlier this year at SunTrust Park.
Rossin's residency is part of the Ethics and the Arts Program at Emory's Center for Ethics. The program, the only one of its kind in the nation, encourages ethical discourse and debate through and about the arts, and partners with arts organizations to demonstrate the way art challenges ethical perspectives.
This year, the residency coincides with FACE (Frankenstein Anniversary Celebration and Emory), a year-long university-wide celebration of the 200th anniversary of the novel.
The exclusive corporate sponsor of FACE is Turner Classic Movies (TCM), and Emory is providing support through its Science and Society fund.
“One of the most acclaimed and influential works of science fiction ever written, ‘Frankenstein’ continues to shape debates surrounding science and its complications,” says Paul Root Wolpe, director of Emory’s Center for Ethics, which is spearheading FACE. “It’s a permanent part of the dialogue about the dilemmas we face in technological advancement, scientific experimentation and research, bioethics, artificial intelligence, stem cell research and innovation.”
Rossin’s new depiction of Frankenstein’s creation is expected to highlight the broad influence and implications of the landmark novel. Rossin envisioned not the standard movie portrayal, but a portrait based on his vision of Shelley’s intent.
“It’s precisely Mary Shelley’s youth [age 18 when she began the novel] that inspired me to approach my subject differently,” says Rossin. “Unlike all other portrayals before, I prefer to see the Creature as a young man.”
As Rossin points out, Dr. Frankenstein intended “to create something beautiful, young, powerful and promising, like Prometheus. The Creature was supposed to have a future, open a new chapter in human history.”
Those familiar with the story know that Dr. Frankenstein’s good intentions turned ugly and murderous. Rossin says that his portrait of “Adam Frankenstein reflects exactly this kind of tragic duality. In my work the viewer should be able to see both.”
from eScienceCommons http://ift.tt/2vKCZou
A public unveiling and discussion of a large-scale portrait of Dr. Frankenstein’s creation, described in Mary Shelley’s 1818 novel “Frankenstein," will take place at 7 pm at Emory on Tuesday, September 19. The event will be held at the Schwartz Center for the Performing Arts and is open to all free of charge, but guests must register in advance at http://ift.tt/2x5Vs3i or call Erin Mosley at 404-727-5048.
The portrait is by renowned artist Ross Rossin, who is on the Emory campus as the 2017-2018 Donna and Marvin Schwartz Artist-in-Residence. Rossin, whose art hangs in the Smithsonian National Portrait Gallery and was exhibited at the United Nations Palace of Nations in Geneva and the Russian Duma in Moscow, is also known to Atlantans as the sculptor/creator of the nine-foot-tall bronze statue of Hank Aaron unveiled earlier this year at SunTrust Park.
Rossin's residency is part of the Ethics and the Arts Program at Emory's Center for Ethics. The program, the only one of its kind in the nation, encourages ethical discourse and debate through and about the arts, and partners with arts organizations to demonstrate the way art challenges ethical perspectives.
This year, the residency coincides with FACE (Frankenstein Anniversary Celebration and Emory), a year-long university-wide celebration of the 200th anniversary of the novel.
The exclusive corporate sponsor of FACE is Turner Classic Movies (TCM), and Emory is providing support through its Science and Society fund.
“One of the most acclaimed and influential works of science fiction ever written, ‘Frankenstein’ continues to shape debates surrounding science and its complications,” says Paul Root Wolpe, director of Emory’s Center for Ethics, which is spearheading FACE. “It’s a permanent part of the dialogue about the dilemmas we face in technological advancement, scientific experimentation and research, bioethics, artificial intelligence, stem cell research and innovation.”
Rossin’s new depiction of Frankenstein’s creation is expected to highlight the broad influence and implications of the landmark novel. Rossin envisioned not the standard movie portrayal, but a portrait based on his vision of Shelley’s intent.
“It’s precisely Mary Shelley’s youth [age 18 when she began the novel] that inspired me to approach my subject differently,” says Rossin. “Unlike all other portrayals before, I prefer to see the Creature as a young man.”
As Rossin points out, Dr. Frankenstein intended “to create something beautiful, young, powerful and promising, like Prometheus. The Creature was supposed to have a future, open a new chapter in human history.”
Those familiar with the story know that Dr. Frankenstein’s good intentions turned ugly and murderous. Rossin says that his portrait of “Adam Frankenstein reflects exactly this kind of tragic duality. In my work the viewer should be able to see both.”
from eScienceCommons http://ift.tt/2vKCZou
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